As of late, Circle2 may just be one of the most unique synthesizer plugins to hit the market. This wavetable synthesizer has all the added bells and whistles, aimed to help the creator improve productivity via its streamlined workflow.
Continua is the perfect plugin for sound designers and producers who want to generate exciting sounds without wasting time. The interface is straightforward, and the parameters have understandable names rather than confusing acronyms.
The plugin consists of three main oscillators, which can be switched between conventional analog waveforms and 91 well-chosen and versatile wavetables, with up to twelve voices of unison, and an additional noise generator, with a separate Mixer section, in which you can balance the levels and even the signal flows of the oscillators and noise generators.
The oscillators have all seven basic analog waveforms, along with a special Ensemble knob that increases the number of voices of the synth, with a slight detune between them, giving a fat and wide analog sound. The plugin can also be rented out or subscribed to using UAD Spark.
The reverb types are shown in an intensity order, from the shortest to the lengthiest styles, and the possibility to go in between two different settings makes this plugin unique and diverse.
MORPH 2 by Zynaptiq requires a minimum of 2 CPU cores running at 2 GHz or faster clock rates, mac OS 10.6.8 (or later), or Windows Vista (or later) operating systems, and is available in VST, AU, AAX, and RTAS plugin versions.
The plugin is quite complex and can have a learning curve. The controls are unconventional, and so are the sound and workflow. Thankfully, the manual has everything covered, but the users will need manual diving to exploit its full potential, as many controls are contextual, and their functionalities depend on each other.
Morph EQ is available in AU, VST, AAX, and VST 3 plugin formats and is compatible with the following operating systems: macOS 10.9 or higher and Windows 10 or higher.
The plugin has a phenomenal interface that is simple, effective, and easy to understand. Even a beginner can navigate the plugin and learn it in a few minutes. The design, idea, and thought behind it are great, and it functions well for creating morphed effects in amplitude, frequency, and the stereo field.
The Mac system requirements for the plugin include a Mac Intel machine running OS X 10.11.6 or later, with 64 Bits and a minimum RAM of 4 GB. Also, the Apple M1 processors must use Rosetta 2 to run Transformer. The system requirements for Windows include a Windows 7 or later multicore processor, 64 Bits, and a Minimum RAM of 4 GB. The plugin is available in AU and VST formats only.
The plugin is all about procedural sound design and frequency profile crossovers, from real-time audio processing to using a microphone, samples, and virtual instruments as instruments. It has a complicated workflow that may be challenging for beginners. However, its complications are also its features and work in favor of the plugin.
The plugin is compatible with any DAW that supports VST, AU, AAX, and VST 3 plugins, which include almost all mainstream DAWs like Cubase, FL Studio, Logic Pro, Pro Tools, Abelton, Reason, etc.
The plugin gives you access to free-for-life updates once you buy it. The multi-modes and effects sound great and have deep control. Overall, the sound design capability is immense but heavy on the CPU. The sleep mode, smart bypass, and solo switches help with that, however.
There are 24 filters you can choose from and create morphing, vowel, and phasing type effects. In addition, the plugin is quite musical, as it offers TUNE type cutoff selection and filter modes, which lets you tune your filter parameters to the notes of a particular scale.
Essentially, each voice in the plugin has 128 harmonics that you can edit to change and reshape the harmonic structure of your sounds. The four voices in the synth can be mixed and morphed in the Morph/Mix matrix. The Additive synthesis is based on Fourier Theory that each complex waveform can be broken down into sine waves and their functions.
We have seen all kinds of tools, from synthesizers to morphing filters to twisted effects. Each tool has a different sound, and no two plugins have the same functionalities. As a synth, Continua by Audio Damage and UAD Opal Morphing Spark are highly recommended for their simplified workflow and expansive modulations.
Morph EQ by Minimal Audio is the most creative, easy, and fun tool, whereas Orbitron is a great multi-effects tool. MMorph 2 and Transformer are recommended plugins that handle the interaction between two signals. However, all plugins are unique and have something special that may suit your workflow or personality, so explore for yourself. 2b1af7f3a8