Ass Like That - Eminem Official Music Video
Download File ->->->-> https://urlin.us/2tkQgg
Nonetheless, Eminem has come up with something that works on a bunch oflevels. For starters, there's at least a half decent approximation of an actualSONG under this whole structure, one with a lot of personality at that. It wouldwork great for sexy dance music. Then there's the especially cleverlythought-out video, which is a real hoot that only gets funnier with repeatedviewings. I'd recommend downloading the video with Bit Torrent.
As a song, there are three main threads of action. First is the basic chorus,traditional singing, \"The way you shake it, I ain't never seen an...ass...like...that. You make my pee-pee go 'da, doing-doing-doing.'\" Thenthere are setups of Eminem rapping about his pee-pee getting him repeatedly introuble with the cops.
Finally, there are his bits as Triumph, in whose voice he's trying to jokehis way out of trouble. \"I can say that and you laugh cause there's apuppet on my hand.\" Triumph's vocal style, and Borscht belt comedianrhythms are built right into the song. Triumph has done songs before, notablythe \"Underage Bichon,\" but not coming from such distinguishedmusicians and producers.
Then they add in one more level of nonsense in the video that takes it allover the top: the Crank Yanker puppets from Comedy Central. It appears thatwhenever Triumph starts talking, the people turn into CY puppets. The bestmoment of the video is when the two live policemen sent to deal with Eminem-apparently a couple of easygoing peace officers, their heads pop as theyturn into their puppet alter egos. Pretty soon, they've got a pretty funny soupof Eminem, Triumph, hookers, cops, and puppet alter egos for them and all thefamous hotties he's calling out for recognition.
They're just spewing good stuff all through the video, piled on such as toreward repeated viewings and listens. Nearing the end, Crank Yanker Eminem isfleeing in a helicopter, which turns out to be piloted by the most retardedCrank Yanker puppet of them all, with a trademark retard laugh familiar frompromotions even to folks like me who haven't really watched the show.
Anyway, in the final moments Crank Yanker Eminem is setting in a strip clubwith Crank Yanker Dr Dre, who barks at him angrily, \"Fux wrong wityou\" Crank Yanker Eminem responds \"Ha!\" in the trademark laughof his retard copter driver. Then they drop in that perfectly cliched rap videoshot of the rapper (Crank Yanker Dre) exhaling marijuana smoke in slow motion-and the retard breathing it in. That few seconds is still really funny to mebeyond all reason after several dozen viewings.
Eminem ended up making a whole lot of things go together right here. He's gotat least a half-decent song, with an exceptionally good production, and aparticularly clever and skillfully engineered video that adds up to a strikingcomic effect. Throw in a few good simple dance moves from live Eminem and hisgirls, and you've got a really memorable piece of video art. Good show!
Additionally, I examine the comments on each music video, noting whether there is stigmatization. Stigma is defined as a deeply discrediting attribute (Goffman 1963). Stigmatization is assessed in each comment using the presence or absence of language suggesting the application of deeply discrediting labels. I also examine the comments for the application of positive labels, suggesting that some behavior is condoned, and therefore, not stigmatized. Ultimately, I will demonstrate that stigmatization serves as a mechanism of social control through which patriarchal and White supremacist values are upheld by the public and not necessarily just those with formal authority (Goffman 1963).
I have selected four music videos for analysis, representing four depictions of racialized gender to capture some of the various ways race and gender intersect in meaningful ways when it comes to perceptions of sexuality: a video featuring a Black man, White man, Black woman, and White woman. The artists chosen each publicly identify as cisgender, and each either identifies as Black or is White-passing.
While there were more than a few fearsome figures in rap, much of the music made prior to 1988 -- when acts like N.W.A. began to popularize gangsta rap -- was lighthearted jams for the party or based around cautionary tales and social commentary. But by the time hip-hop crept into the 1990s, violent overtones were the norm in rap songs, drawing the ire of political pundits and activists who were appalled by the content featured in the culture's songs.
\"Going off on the motherfucker like that/With a gat that's pointed at your ass/So give it up smooth/Ain't no telling when I'm down for a jack move/Here's a murder rap to keep y'all dancing/With a crime record like Charles Manson/AK-47 is the tool/Don't make me act a motherfucking fool\"
\"L's the nigga that crime follows/I'm hittin' fine models and stabbin' punks with broken wine bottles/I beat chumps til they head splits, then break em like bread sticks/I sex chicks, I'll even fuck a dead bitch\"
\"Snuck up behind him, had his hands in his pocket/Took my pistol out, unlocked it/Pulled the hammer back and cocked it/And left his shit all on the carpet/I seen a (murder, murder) I pin-pointed my target/I'm making my way up out the building/I got the nigga that I came here to get, notify his children/That they old man done fell up out the game/Because I came through this motherfucka/And killed his ass just like Jesse James\"
\"No love cry when only babies die/And when I go that casket better cost a hundred thou/I pray to god I look my killer in his eyes/Snatch his soul out that shirt let's take him for that ride/OG is one who standin on his own feet/A boss is one who guarantee we gon eat/Fuck a blog dawg cause one day we gon' meet/I'm a spazz on yo ass like I'm Mo'nique\" -- Rick Ross
\"Seventeen homeboys up in the clip/Before I bail like a bitch Im a hit me a lick/On everythang/Lay you on that stretcher man/Bust that thang or rest in flames when you disrespect the game/Can't do that don't sell cocaine/Cock that four fifth back and aim/Do my dirt all by my self/No witnesses to say my name\"
\\\"Going off on the motherfucker like that/With a gat that's pointed at your ass/So give it up smooth/Ain't no telling when I'm down for a jack move/Here's a murder rap to keep y'all dancing/With a crime record like Charles Manson/AK-47 is the tool/Don't make me act a motherfucking fool\\\"
\\\"L's the nigga that crime follows/I'm hittin' fine models and stabbin' punks with broken wine bottles/I beat chumps til they head splits, then break em like bread sticks/I sex chicks, I'll even fuck a dead bitch\\\"
\\\"Snuck up behind him, had his hands in his pocket/Took my pistol out, unlocked it/Pulled the hammer back and cocked it/And left his shit all on the carpet/I seen a (murder, murder) I pin-pointed my target/I'm making my way up out the building/I got the nigga that I came here to get, notify his children/That they old man done fell up out the game/Because I came through this motherfucka/And killed his ass just like Jesse James\\\" 59ce067264
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