Madonna - Who's That Girl (Official Video)
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Filming began in New York in October 1986. Madonna would ask for five minutes to study the script for the scene they were filming. For example, before a scene in which she needed to appear out of breath, she did a series of push-ups before going on set. Dunne observed that \"[Madonna] likes her first take best. I think my best is around fourth. She always says, 'You got it, you got it,' and she was driving me crazy just like her character would. We had to make a compromise as to which take is the best.\" Madonna wanted Foley to give her proper direction on set, but he preferred her to be her real self, rather than the persona in her music videos. Regarding her acting abilities, Foley stressed on the fact that Madonna was very uptight and into every detail, determined to have the correct portrayal. \"That's probably why it wasn't so good. In Desperately Seeking Susan, when she didn't know what she was doing, she was being natural and at her best.\"
The film was released on August 7, 1987 in the United States to 944 theatres. Warner Bros. did not arrange for an advance screening because it believed that Madonna's appeal would draw moviegoers to come to the film. A pre-release celebration was held on August 6, 1987 at Times Square in New York, where Madonna arrived to promote the film. A crowd of almost 10,000 people assembled to watch Madonna. As an introduction to the day, the radio jockeys from New York's WHTZ radio station played Madonna's popular songs in the Square atop a platform created for the event. The police closed off 43rd and 44th streets, but allowing the traffic to pass through Broadway and Seventh Avenue of Manhattan. Although she was late by about an hour, the crowd number continued increasing. Joseph A. Cincotti from The New York Times noted that most of the crowd were in their late teenage years and early 20s. Some held up signs and photographs but he noticed the Madonna wannabes were absent, the adolescent girls who had imitated Madonna's early lace-and-leather look. This was a result of Madonna's more mature image from True Blue.
Jamie Waylett of The Advocate was more critical, saying \"Madonna delivers the worst performance in recent memory as the heroine of an attempt at screwball comedy. Watching her try to look like Marilyn Monroe and sound like Betty Boop, though, is a sure sign that this film was a disaster in the making. At the same time, it seems inconceivable that anyone would sit down and plan something so dreadful.\" Carole Kass of the Richmond Times-Dispatch felt that since \"Madonna is the idol of teen-agers. If they imitate her hair and her makeup, these 'wanna-bes' who want to be like Madonna and dress like Madonna may be cute. But, as a popular personality, Madonna has a responsibility to her fans. And shoplifting is something not to promote. Nor is smoking.\" Dan Dinicola of The Schenectady Gazette felt that \"Who's That Girl is not simply an awful film, it is positively unbearable. It's a movie without a head or a brain, a picture of such crass stupidity that it can't even make you angry. Instead it numbs you to death with its moronic platitudes, its pretensions to comedy. ... It's a vanity project which is so amateurly produced and conceived that it makes you want to cringe in shame. ... Madonna is no more than a novelty item.\" Johanna Steinmetz of the Chicago Tribune complimented Dunne's acting and said: \"Fortunately the film has Griffin Dunne. Dunne, working in a domain once ruled by Cary Grant, manages to be stuffy, naive and vulnerable but never undignified as Loudon Trott, the New York lawyer.\" Jean Rosenbluth of Rolling Stone was harsh about the film, saying \"The question posed by the film's title was Who's that girl The answer provided by the box-office receipts was, alas, 'The same one who appeared in Shanghai Surprise and bored us to death'.\" 59ce067264
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